This was part two of a planned three-part series on Art, Race & Real Estate in New Orleans for a periodical called The Shotgun, which has since vanished from the web.
In part one of this series we talked about two recent racist New Orleans art swindlers: the AirBnB Queen, Muck Rock, and the deranged daughter of Pontalba prosperity, Ti-Rock Moore, who it appears had a hidden history as a crooked cosmetic dentist.
But rest assured, the metaphorical multimedia menhirs mounted by Muck Rock and Ti-Rock on our Artster Island stand atop a fundamental bedrock of bullshit laid by Kirsha Kaechele. Kirsha was the template, the original terrible vapid criticism-proof white lady artist rampaging through post-flood New Orleans. She’s a canny enough scammer that she’ll likely persist after all the simulacra she prefigured wither. Continue reading “The Curse of Kirsha: Kirsha Kaechele Kreates”
note: unlike other recovered articles from the shotgun, i didn’t write this one. ‘arrigoni’s ghost’ did. i did contribute some material however & i think it’s worth keeping the info on these fash scum available on the internet.
Peter Morgan had a nice little business selling fashion patches out of his parents’ house at 14 St Bridget Dr., way out in the furthest corner of Kenner, cozied precariously between the lake and the Duncan Canal floodwall marking the end of the suburbs and start of the swamp. He cares a whole lot about the environment, he’ll have you know.
Peter’s wife Kearstin is a birth doula and owner of Sacred Transitions Nola, whose pastel-colored website looks like it could be straight out of some west-coast hipster wellness enclave.
Both she and Peter are fascists who would like to see Louisiana become a white ethno-state.
Continue reading “Meet Your Local Clown Fascists”